The cold frost of winter, makes for the perfect season, for hot chocolate in the form of 10 decadent songs from the living legend, Johnny Osbourne. With a career that spans over 50 years, and music still in high demand, “The Godfather of Dancehall” created a plethora of songs for music lovers to indulge in. More After The Jump…
Category: Foundation
Classics
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Reasoning with Tony Rebel before Rebel Salute: “I Rebel against things that are Wrong”
The Rebel With a Cause Looks Back Over 22 Years of Roots & Culture
No meat, no alcohol, but plenty vibes. No hip-hop, no EDM, but nuff niceness. No stampedes, no slackness, but total niceness. Over the past 22 years, Rebel Salute has stuck to a winning formula and evolved into the people’s choice as Jamaica’s top-ranking reggae festival. Last year the Rebel Salute stage transformed Bounty Killer into Rodney Price as he delivered one of the greatest performances of his career. This year the Boomshots crew dropped by Flames Productions HQ in Kingston, Jamaica to reason with Mr. Tony “Fresh Vegetable” Rebel who explained how a humble birthday celebration grew into a musical phenomenon—complete with its own foundation that awards scholarships to educate Jamaica’s youth. Check the reasoning as Rebel tells Reshma B about the roots of Rebel Salute, right down to the great food (and brain food) availabe at the show. And if you can’t make it there in person, Rebel breaks down the best way to enjoy the show from the comfort of your own yard… Video & Full Lineup After The Jump… (more…)
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HEAR THIS: Inner Circle ft. Chronixx & Jacob Miller “Tenement Yard (News Carryin’ Dread)”
Jacob “Killer” Miller was one of reggae’s greatest performers. His merry, manic brilliance shines through clearly in the crucial 1980 concert doc Heartland Reggae, particularly the performance of “Tired Fe Lick Weed In A Bush” during which he puffs a huge spliff on stage while using his microphone to taunt the cops at the venue before somebody hands him a police cap and he starts chanting “Babylon, Babylon falling down.” Audio After The Jump… (more…)
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Chronixx Talks “Tenement Yard” Collab with Inner Circle’s Roger Lewis
“Re-Presentation” of Jacob Miller’s 1975 Classic Set to Debut Monday on Mass Appeal
Forty years ago, the late great Jacob “Killer” Miller released “Tenement Yard”, his first hit with the Inner Circle band. “Dreadlocks can’t live in a tenement yard,” the young Rasta rebel sang, lamenting all the “watchy watchy” people chatting his business in one of Kingston’s inner city communal housing schemes. Four decades later a new Rasta rebel steps up on the said Inner Circle riddim, and delivers his message, with what amounts to a whole new song subtitled “News Carrying Dread.” Not only are the rhythm track and the message of the new tune in tune with the original, a sample of “Jakes” voice also rings throughout. The 2015 release, which marks the first time the reggae supergroup has re-presented a song by their foundation vocalist, will premiere this Monday on Mass Appeal. Late last year Boomshots caught up with Chronixx and Inner Circle co-founder Roger Lewis at the band’s state-of-the-art Circle House Studios, where the song was made. “Me find Jacob, Red Hills Road,” Says Roger Lewis with conviction in his voice. “All my life I tell you—and I don’t say this becauxse Chronixx is here—I don’t see a youth who touch me like Jacob.” The good vibes are clearly mutual between the veteran band and the young singer. “We always have a great respect for the Inner Circle family, even before we really met up physcially,” says Chronixx. “Is a great thing. Is a very very great thing. To see say them music can still be revamped. Because we are the originators, I and I, from that time till this time.” Check the full reasoning with Rob Kenner and Reshma B. Video After The Jump… (more…)
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Flashback Friday: Tenor Saw “Lots of Sign”
Tenor Saw Dies Tragically, Leaving Behind An Anthology of Dancehall Poetry
Clive Bright aka Tenor Saw was a prominent Jamaican singer with an exceptional voice and a conscious, spiritual vibe to his music. Discovered at 19 years old by dancehall legend, Sugar Minott of YouthMan Promotions, who describes the first time hearing Tenor Saw’s voice as powerful. The late icon speaks about this magical moment and the excitement of cutting the Pumpkin Belly Dubplate which ended up on Vinyl: More After The Jump…
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Lee “Scratch” Perry Wants You To Stop Smoking Ganja
The Reggae Pioneer Tells The Fader About New Music, Old Studios, and Negative Influence
Lee “Scratch” Perry, who crafted sounds for Bob Marley, Peter Tosh and countless others while releasing genre-formative albums of his own, is relaxing in a grand old English guest house in Tewkesbury, Gloucestershire. He has just gotten through performing at the Lakefest Music Festival and is wearing a full red suit covered with dollar, pound, and Euro signs written in Magic Marker; his baseball cap is adorned with metallic badges, a large circular mirror, and a pinecone-shaped chunk of crystal perched on the brim. When he speaks, his words, like his clothes and his tunes, are freewheeling, arcane, and ceaseless. From a small settee, he holds forth on a wide range of subjects, including his new signee, Iguana, his return-to-form new album Back on the Controls, which he recorded in a replica of his legendary Black Ark recording studio, and why he feels guilty about the marijuana culture his art helped to spread to the masses. Video After The Jump… -
His Imperial Majesty
On November 2, 1930, the official crowning of a monarch occurred in Ethiopia
Peoples of African descent, come from a lineage of kings and queens, as referenced in the bible. On this day, November 2, in 1930, Emperor Haile Selassie I and his wife, Empress Menen Asfaw were formally crowned with regalia, together in Ethiopia.
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Reasoning with Lee “Scratch” Perry, The 2nd Chapter: “Too Much Weed, So I Get Crazy”
Scratch Shares His Thoughts on Sex, Ganja, and the Illuminati
When we last caught up with the Upsetter, he was sharing his thoughts on music—both his latest releases, and his seminal early recordings at the Black Ark. Of course, Scratch being Scratch, the conversation also veered into related topics such as Duppies, the true racial identity of God, and his everlasting battle with the Devil. Just hours before the man called by many names (including, notably, Pipecock Jaxon) take the stage at Brooklyn Bowl with Subatomic Sound System as part of the annual Dub Champions Festival, we proudly present the second installment of Reshma B‘s exclusive interview—in which the living legend/mad genius talks about what sort of girl he does not want to see in his bed—and names one in particular who would make him “vomit.” Scratch also admits that he was once addcited to marijuana, a fate that he hopes his fans will avoid. In fact, he says too music music and/or fire and/or weed in his head made him crazy. “They want to find out whether it’s me singing or the ganja singing,” he says. “It’s better when me sing. If the ganja can sing, it ah go take you to a height that you can’t come back.” The ReggaeGirlAboutTown even convinces Scratch to remove his remarkable hat and show her what’s inside. So fasten your seatbelts, it’s going to be a wild ride. Videos After The Jump… (more…)
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HEAR THIS: Bunny Rugs “Alone Again”
A Lost Session With Sly & Robbie Comes To Light
This morning’s email contained a rare gift for all reggae lovers to cherish: a message from Guillaume Bougard, sharing this never-before-heard recording of the melancholy ballad “Alone Again” voiced the late great Bunny Rugs backed by Sly & Robbie. “Bunny Rugs recorded ‘Alone Again’ in 2010 during a day off of a Third World tour in Europe,” Bougard explained. “Here is a rough mix that I just stumbled upon.” On his Facebook page, Bougard elaborates that “We had recorded the instrumental originally for Horace Andy but Horace didn’t like the song, so I kept it and submitted it to Rugs who liked it, despite the overall sadness of the lyrics. He managed to retain the emotion and yet instill his usual joy. Lovely. Rugs knew he did very well on that take. Listen carefully to the last 2 seconds: he says ‘Bwoy Guillaume, you have a whole a money for me now.’ When Jamaican artists think they’ve done a great take, they believe the song is going to sell well and generate big royalties for them.” No amount of money can equal the joy of a new song by Bunny Rugs, who died of leukemia this past February 6 (which is also Bob Marley’s birthday) leaving an irreparable breach in the reggae matrix. Audio After The Jump… (more…)
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The Queen of Reggae Gets Her Groove On at Groovin’ In The Park
“This is My Moment,” said Marcia Griffiths, “And I’m Gonna Live It.”
Marcia Griffiths, the undisputed Queen of reggae, hit Jamaica Queens NYC to celebate 50 years in the music biz at Groovin in the Park this June 29. Now in its 4th year, Groovin in the Park is an upscale affair that attracted 25,000 punters to ‘Roy Wilkins Park’ with a line-up that boasts some of the greatest names in Reggae history—many of whom have worked with Marcia at one time or another. With at least half a dozen outfit changes Ms. Griffiths was prepared for anything. She first hit the stage around 3pm—warming things up with her international pop hit ‘Electric Boogie’, which spawned a dance craze that continues till this day—and kept going strong with internmittent breaks until 9pm. Full Review and Videos after the Jump… (more…)
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Japanese Melodica Master Anna i Talks Augustus Pablo and His “Far East Style”
Classical Piano Lessons At Age Eight Didn’t Thrill Her, Then She Discovered Augustus Pablo
July 1st marks the 20th anniversary of International Reggae Day a celebration of the global impact of Jamaica’s musical culture. And there’s no greater representative than Tokyo-born Anna i. She always loved music, so at the age of eight her parents gave her classical piano lessons. But her passion for playing wasn’t sparked until a vinyl-collecting friend introduced her to soul, jazz, and especially reggae. She was particularly drawn to the “Far East” dub style of Jamaican melodica master Augustus Pablo. Absorbing his sound, she taught herself to play the instrument and within a few years she was playing with the German punk band The Slits on tracks like the 2009 banger “Babylon.” Earlier this summer she joined Jamaican keyboard master Monty Alexander during his birthday celebration at B.B. King’s, improvising “Happy Birthday to You” during a dub-jazz jam session. She’s now under the wing of Patricia “Miss Pat” Chin—the P in VP Records—who has big plans for the young melodica master. The ReggaeGirlAboutTown recently caught up with Anna i at VP headquarters for an in-depth conversation. Anna even treated Boomshots to an off-the-cuff performance. Video After The Jump…
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Jabba Pledges Best of the Best 2014 Will Be 100% Caribbean, Says Reggae and Hip-Hop “Come In Like Oil and Water”
Promoter Promises to “Learn From His Mistakes” at BOTB 2014: Reggae & Soca—but NO Hip-Hop
For the past eight years Best of the Best has been a fixture of Memorial Day Weekend in Miami, a big outdoor reggae and soca show that normally features top hip-hop acts as well. But this year, Reshma B caught up with Jabba who explained that this year he’s “learned from his mistakes” and made BOTB 2014 a 100% Caribbean festival. That’s right, for the first time the festival will feature reggae and dancehall and soca but NO hip-hop. “Me get back to my roots,” say Jabba. “This year we involve more soca into the show more than just keep mixing the hip-hop and the reggae, because it come in like oil and water. We notice it’s eight years going in. When I first begun I just, you know, coming from a big urban radio station, I feel like hip-hop is part of my culture as well. Because you done know is a Jamaican man who started hip-hop in the Bronx—Kool Herc big up yourself anywhere you deh. So I felt like I can take that mission to a next level and just know say, Hear wah gwan now, let me mix up hip-hop onto reggae on the next level like it’s never been done before. And big respect to all the rappers, but it come in like the worst idea we coulda ever do. But you learn from your mistakes. Because when you come to a Caribbean culture festival, nobody no wan’ hear say “Yo, turn the motherfuckin mic up!” and “Where’s my niggas at?” You understand?” Video After The Jump… (more…)