Tag: Bounty Killer

  • R.I.P. Sting: The End of an Era in Dancehall

    R.I.P. Sting: The End of an Era in Dancehall

    Remembering The Greatest One Night Reggae and Dancehall Show on Earth

    When the history of dancehall music is written, 2016 will go down as the year when mainstream stars took over the worldwide pop charts using Jamaican styles and sounds. It will also be remembered as the first Boxing Day in over three decades that went down with a staging of Sting. Sad to say the legendary stage show that has seen some of the most talked about performances—and lyrical clashes—in dancehall history is no more. Just three years after celebrating Sting’s 30th anniversary with a star-studded lineup that included the return of the Don Dada Super Cat, American artists 2 Chainz and Wyclef Jean, and an epic clash between Lady Saw and Macka Diamond, Sting founder Isaiah Laing has called it quits. Despite pledging in years past that “if I am alive there will be Sting,”  Laing made it official on Jamaican television’s popular show OnStage, saying that Sting has not made money in several years—despite significant investment from the likes of Josef Bogdanovich, who has since moved on to revamp another great Jamaican festival, Reggae Sumfest. Laing and his longtime partner Heavy D further noted that the artists who are big enough to draw a crowd are not willing to perform on the show. The clashes that made Sting a sort of musical heavyweight bout eventually came to be its undoing. Who can forget the time when Popcaan had to shove Blak Ryno off the stage because the other artist was “somehow” given a live microphone and allowed to rush the stage during Popcaan’s solo set back in 2012? These types of antics eventually take their toll on artist loyalty. Whether Sting will ever come back is anybody’s guess. Talk of a gospel festival sounds like a major departure from the hardcore format we have come to know and love. For the sake of those who don’t know—and the pleasure of those who do—Boomshots takes a moment to remember the best Sting had to offer. Memories After The Jump… (more…)

  • The Making of Bounty Killer’s “My Xperience”

    The Making of Bounty Killer’s “My Xperience”

    Remembering A Game-Changing Album Twenty Years Later

    All Eyez On Me. The Don Killuminati. Reasonable Doubt. The Score. It Was Written. ATLiens. Nineteen Ninety Six was an epic year for hip hop album releases. It was also a decisive year for dancehall breaking through to urban America. Twenty years ago this month, Bounty Killer released My Xperience on Blunt Recordings, a new joint venture between perennial reggae powerhouse V.P. Records and TVT Records, a New York-based indie specializing in “TV Tunes.” Featuring collabs with some of the biggest rappers and producers in hip hop—The Fugees, Mobb Deep, Raekwon, RZA, Busta Rhymes, Erick Sermon, Jeru the Damaja—My Xperience did that and more. The album truly changed the game for dancehall in the hip hop space. In an exclusive Boomshots interview, Bounty Killer calls it “the greatest album” of his illustrious career and shares his memories of working on the historic project. We also spoke with Killer’s then-manager Johnny Wonder, now the V.P. of 21st Hapilos Digital Distribution to share his experiences making My Xperience. Interviews After The Jump… (more…)

  • NO LONG TALK: Stephen “Di Genius” McGregor on the Red Bull & Guinness Decade

    NO LONG TALK: Stephen “Di Genius” McGregor on the Red Bull & Guinness Decade

    Dancehall’s First Podcast Hits #10 In Fine Style

    To commemorate the series tenth episode, Man Like Marvin Sparks drew for the decade’s defining producer, Stephen “Di Genius” McGregor. 2016 marks ten years on from his classic breakthrough riddim, Red Bull & Guinness. The riddim boasted voicings from Vybz Kartel, Wayne Marshall and Sizzla to a then-emerging singjay called Mavado. “Weh Dem A Do” went on to become an immovable anthem which still draws gun fingers and pull-ups as it did all those years ago. Audio After The Jump… (more…)

  • Kingston Nights: A Jamaican Street Dance Photo Essay

    Kingston Nights: A Jamaican Street Dance Photo Essay

    Robert Cooper Photographs What Real Dancehall Looks Like Right Now

    “I started listening to dancehall during the late ’80s,” recalls photographer and videographer Robert Cooper, who’s covered the Hartford, CT dancehall scene for some time. “I began photographing dancehall parties and concerts 8 years ago, and began writing about dancehall also, so being able to finally go to Jamaica was a blessing. It took me only about two days photographing at the dances before people started recognizing me and I was a part of the scene.” With plans for an exhibit and a book in the works, Cooper shared some visuals from his first trip exclusively with Boomshots. This selection focuses on Jamaica’s thriving street dance culture, highlighting all the stars on the scene—not just the recording artists. Dancers, selectors, and other colorful personalities all help create the vibe that continues to entertain and inspire the world. Dancehall 2016: This is what it looks like. Photos After The Jump… (more…)

  • No Long Talk: Serani Relives the Anger Management Riddim

    No Long Talk: Serani Relives the Anger Management Riddim

    Ten Years After Daseca’s Breakthrough Riddim, Serani Reflects

    Multi-instrumentalist and producer Serani (former one-third of Jamaican producers Daseca) reminisced on the creation, influence and legacy of Anger Management riddim on its 10th anniversary. Though officially released towards the end of 2004, it buss (a.k.a. impacted) in 2005. Made on a PC via a Triton keyboard in not much time (approximately 15mins), it went on to become one of the most memorable, gun finger-raising (critically-acclaimed) riddims of the noughties. The era-defining riddim spawned hits by legends Bounty Killer (“Gun Heaven”) and Sizzla (“No Way”), an establishing star in Vybz Kartel (“War Nah Talk Over”) and kick -tarted the career of a young talent from Cassava Piece by the name of David Brooks, better known as Mavado (“Real McKoy”). Everything was light prior to Anger Management. And things in the dancehall became a helluva lot darker after it ruled the airwaves and the streets. Audio After The Jump…
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  • Download the House of Marley x Boomshots Welcome To Jamrock Reggae Cruise Zeen

    Download the House of Marley x Boomshots
    Welcome To Jamrock Reggae Cruise Zeen

    Our 2015 Zeen Is The Next Best Thing To Being On Board

    “All in the Same Boat,” Bob Marley sang on The Wailers’ 1971 Boomshot “Don’t Rock My Boat,” produced by Lee “Scratch” Perry, “Rockin’ on the same rock / Got to get together, loving each other.” This lyric isnpired the title for the 2015 Welcome to Jamrock Reggae Cruise Zeen, the official guide to who’s who and what’s happening on our second annual seafaring excursion. The limited edition Zeen contains origjnal interviews and full-color photos of all 23 acts on board—Damian “Jr. Gong” Marley, Stephen Marley, Julian Marley, Ky-Mani Marley, Third World, Sly & Robbie, Maxi Priest, Super Cat, Bounty Killer, Popcaan, Elephant Man, Cham, Tarrus Riley, Morgan Heritage, Protoje, Tanya Stephens, and many more—plus all 10 champion sound systems. It also contains QR code links to exclusive Boomshots content—interviews and live performances direct from the cruise.  If you didn’t make it on this year’s cruise, the Zeen is the next best thing to being there. There’s even a discount code for House of Marley audio gear. Download Link After The Jump…
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  • WATCH THIS: Stephen Marley ft. Bounty Killer & Cobra “Ghetto Boy” Official Music Video

    WATCH THIS: Stephen Marley ft. Bounty Killer & Cobra “Ghetto Boy” Official Music Video

    Ragga, Killa & Snake Star Inna Brand New Story As Old As Babylon

    Year in, year out, the cycle continues. From Cabrini Green to Cidade de Deus to Tivoli Gardens, somebody is out there manipulating the minds of the ghetto youths and pressing their buttons on a divide-and-rule mission to spread misery and violence and disunity in the community. Like his father before him, Stephen Marley reveals the inner workings of the Babylon system with music as his only weapon and Killa and Cobra as his lyrical henchmen—because that’s what Ghetto Youths do. The visuals pick up where the tune left off. No long talking. Video After The Jump… (more…)

  • HEAR THIS: Stephen “Ragga” Marley ft. Bounty Killer & Mad Cobra “Ghetto Boy”

    HEAR THIS: Stephen “Ragga” Marley ft. Bounty Killer & Mad Cobra “Ghetto Boy”

    Ragga links the Warlord & Helta Skelta on this Musical Boomshot 

    Twanging guitars straight out of a Wild West cowboy movie open the latest track from musical mastermind Stephen “Ragga” Marley, which soon transforms into a hard-hitting dancehall cut featuring Ragga, Killer, and Mad Cobra kicking lyrical ballistics. “I think we need to open up the conversation more,” Stephen Marley explained in a recent Esquire interview. “Why is gun violence happening on a global scale? When, where, and what age does it start? We see the U.S. media addressing it now to a certain degree, but this is happening all over the world, with or without the cameras rolling. We need to get to the root of the problem, starting from the top down to break the cycle.” Revelation Part 2: The Fruit of Life coming soon!  Audio After The Jump… (more…)

  • Reasoning with Assassin aka Agent Sasco—Rap’s Best Kept Secret Weapon

    Reasoning with Assassin aka Agent Sasco—Rap’s Best Kept Secret Weapon

    First Kardinal, Then Kanye and Kendrick—Assassin Is the Go-To DJ for Dancehall Features.

    He’s your favorite rapper’s favorite dancehall artist. But chances are you’ve never heard his name. That’s because Assassin aka Agent Sasco — his secret-agent alter-ego — has basically gone undercover for his two biggest records: Kanye West’s “I’m In It” off the Yeezus album, and Kendrick Lamar‘s latest single, the lyrical tour-de-force “The Blacker The Berry,” Although Assassin was not properly credited for either feature, word gets around and the DJ is very much in demand. Boomshots caught up with him by telephone to hold a reasoning, and wrote a piece for NPR about it. The full transcript is right here. Interview After The Jump… (more…)

  • Welcome to Jamrock Reggae Cruise Doubles Up for 2015

    Welcome to Jamrock Reggae Cruise Doubles Up for 2015

    Cabins Going Fast As Barrington, Maxi , Elly, Popcaan, Capleton Confirmed

    Due to overwhelming demand, the second annual Welcome To Jamrock Reggae Cruise will offer two back-to-back cruises in 2015, from November 30th to December 10th. According to the cruise’s official Facebook page, the newly confirmed talent for 2015 includes Ky-Mani Marley, Protoje, Barrington Levy, Capleton, Elephant Man, Popcaan,  and Maxi Priest. They will perform Damian “Jr. Gong” Marley, Stephen “Ragga” Marley, Julian “JuJu Royal” Marley, Bounty Killer, Busy Signal and other returning members of the Ghetto Youths International family. Representing the best of sound system culture, the Welcome to Jamrock Cruise 2015 proudly present the original Saxon Studio posse from London including Philip “Papa” Levi of “Mi God Mi King” fame. They will join King Jammy’s Super Power, whose performance on last October’s cruise was legendary. Stay tuned for more breaking news about sound system action the cruise. All aboard! Full Lineup and Videos After The Jump… (more…)

  • Free Up The Herbs: 40 of Reggae’s Highest-Grade Ganja Anthems

    Free Up The Herbs: 40 of Reggae’s Highest-Grade Ganja Anthems

    Marijuana Laws May Be Changing, But These Rebel Music Selections Will Keep Playing Forever

    Every day brings new headlines about voters in the U.S.A. passing medical marijuana laws and American states decriminalizing reefer—even as the Federal government reserves the right to swoop in and prosecute whoever however whenever. Meanwhile venture capitalists continue to align themselves with the Bob Marley estate in order to build a global ganja brand. It feels like a bright new day in the long-running batttle to legalize Jamaica’s national herb. But don’t sleep: the Governor General has yet to sign the proposal that would allow Rastas to cultivate for personal use and corporations to cultivate for profit. And Jamaica’s Governor General still answers to the Queen of England, so there’s no telling what will happen. Meanwhile youths all over the world are still getting locked up for illegal possession of the wisdom weed. So the binghi drums have to beat and songs like these have to play, words sounds and power. These are not just “weed tunes” but songs about the real-life struggles surrounding ganja prohibition. say are they just one-line shout-outs, like the tune where Bounty and Cham said “tell the government free up the weed policy,” as wicked as that was. These are the rabble-rousing songs dedicated to defending marijuana growers and sellers and smokers from all forms of downpression. Some relate to the nitty-gritty details of the hustler’s life, others focus on police efforts to fight against the weed, while others make the case for legalization. Any topic that could inspire so much great music has to be important. Just like Josey Wales said on track #20, “It Haffi Bun.” And these songs have to play. Audio After The Jump; Countdown Continues Above (more…)

  • WATCH THIS: Vybz Kartel Birthday Bash 2002

    WATCH THIS: Vybz Kartel Birthday Bash 2002

    Witness the Birth of a Dancehall Legend

    Thirteen years ago today, Vybz Kartel (or as the videographer spelled it Vibes Cartel) celebrated his 25th birthday with an action-packed session at Club La Roose on Port Henderson Road in Portmore. Judging by the massive turnout of artists on the stage and the reaction of the ram-jam crowd inside the venue—not to mention the ridiculously futuristic flows emanating from his microphone—it’s clear that Kartel is a young champion on the rise. Having graduated from street mixtapes to writing hits for the likes of Bounty Killer, Kartel now had a major hit on Don Corleon’s Mad Ants riddim, “New Millennim” featuring Wayne Marshall. His debut album for Greensleeves Records, Up 2 Di Time, was still a year away, but anybody in La Roose that night knew something big was happening. Much has changed since that time: for one thing, when’s the last time you saw Kartel rocking a Nets jersey and a durag? Moreover, Kartel’s name is now known all around the planet, although much of the world is more familiar with his controversial exploits than his cutting-edge music. But one thing has stayed the same from that time until this : even as Kartel marks his third consecutive birthday behind bars, the Werlboss still has the streets on lock, and despite his predicament Kartel remains the most influential dancehall artist in the game, period. In honor of Adidja Azim Palmer’s earthstrong, let’s take it back to 2002, and bear witness to the birth of a legend.  Video After The Jump… (more…)