Madhouse Pon Them Case Again… The Link Seal And The Link Real
Last week Madhouse fired a warning shot that got the whole dancehall diaspora buzzing. The tune was called “Stronger” by Cham featuring Mykal “Grammy” Roze and it’s a Certified Boomshot. (more…)
Quiet as it’s kept, Mr. Vegas is on a roll right now. From his “BoyShorts” remix with Teairra Mari to his unofficial remix of Chris Brown’s “Deuces” (which sounds harder than the official one), Mr. Die-Do is in the zone. Earlier this month Vegas passed through a radio showcase for Boston’s Hot 97, where his “Gallis” tune from last year is picking up some spins. But this set was for the true heads. “Nike Air,” “Heads High,” “Pull Up,” “She’s A Ho,” “Hot Wuk”… Catalog, me say. And the man works the stage like a true veteran entertainer. Yes Vegas, yuh Bless fe real!
Tell Them Already Have To Tell Them Again, Him A Murrrrdera!
This year’s Hot 97 On Da Reggae Tip showcase was all about singers: From Gyptian, the man with the big tune of the moment, to the young veteran Mr. Vegas, to a surging Serani, the Alliance’s top pop threat. But when it comes to legendary dancehall singers, Barrington Levy has few living rivals. (more…)
It’s His First Time Ever On Dancehall Night, And Khago Blazes It Up
We’re definitely feeling this conscious young DJ named Khago (short for Chicago) who made big noise on his first ever Sumfest Dancehall Night with a Certified Boomshot called “Nah Sell Out Me Friend Dem.” His heartfelt song about loyalty has become a street anthem. (more…)
DJ Tells Gunmen “Too Much War… Cool Star” In Timely 1995 Selection
Mad Cobra was 18 years old when he made his name on the dancehall scene with 1990 hits on the Penthouse label like “Yush” and “Gundelero.” By 1992 he had reached the top of Billboard’s rap chart with the international hit “Flex,” and since then The Big Snake has maintained his standing as one of the top year-to-year artists in dancehall. So it was a huge shock to learn last week that he had been shot in the chest near his home in Braeton, Portmore. (more…)
Performing Tracks From Distant Relatives Live For The First Time
Last night’s show at the Highline Ballroom was sold out for weeks in advance, and when the time came for the Distant Relatives to come together, the energy was at a peak. Even the New York Times was paying attention to this long anticipated collaboration between Damian Jr. Gong Marley and Nasty Nas. And although most of the songs on the set list had never been performed in public before, they proved had no trouble moving the crowd. Both artists had their own solo sets—Damian performed his father’s classic “No More Trouble” on a night when all of Jamaica was thinking the same thing, and Nas ran through a medley of hits including “Made U Look,” and a motherland remix of “One Mic” accompanied only by hand drums. His biggest forward of the night came during the “alimony” lyrics at the end of “Strong Will Continue” which segued perfectly into “Hate Me Now.” But at the end of the night, it was all about love…
“Hypocrite And Bad Mind Coulda Never Be A Friend Of Mine”
@tonymatterhorn just linked with Gappy Ranks the bad bad UK DJ to squeeze off something new for all “haters, badmind and fuckers who love 2 talk shit.” (more…)
The sparse, infectious piano chords of Gyptian’s “Hold Yuh” are now internationally known from coast to coast and currently dwelling in the top third of the Hip Hop/R&B charts. (more…)
Tonight She Gon’ Let You Be The Rider—Giddyup Giddyup Giddyup
Well it sure looks like Rihanna has been studying that M.I.A. “Galang” video. And then she flips it into a Keith Haring moment. Gwan RiRi. That one ya sell offfff…..
From The Church To The Dancehall, Sanchez D Hits All The Right Notes.
Sanchez is one of those year-to-year singers who’s too often forgotten. So consistently stellar are his crystalline vocals, so unwavering is his standard of excellence, that we sometimes take him for granted. In such cases the best thing to do is walk away for a few years and make them miss you. After all, the man has been singing his heart out since the late ’80s, investing improbable pop songs with so much drama and passion that you forget all about the originals. Then he drops an album like the all-original 1995 masterpiece Praise Him, and the reggae world goes into a frenzy. But apart from being sampled all over the “Dipset Anthem,” mainstream success has eluded this supremely gifted vocalist. Not that he’s hurting in the least.