Addies Intl Reminds Us How Deep Their Dub Box Really Is
Addies bad from how long? Isn’t that how the saying goes. Addies Intl drops a wicked tribute to Gargamel better known as Buju Banton entitled “Mark Myrie AKA Buju Banton Dubplate Salute.” Their new selector A1 digs deep into the crates and pulls out some of the most lethal dubs ever played in a sound clash. Take our word for it, you won’t be disappointed – Shellings After The Jump… (more…)
Addies Bad From Dem Time Till Now, Who Nuh Like It Defend It
The Biltmore Era is known as the Golden Era and most competitive period of the Sound Clash Industry extending from the late ’80s to 1996. Such clashes were kept in four major venues throughout New York City—Tilden Ballroom, Starlite Ballroom, Flamingo Ballroom and most importantly the Biltmore Ballroom. As the “Mecca” of the industry, the era contained many talented and entertaining sound systems all of which rightfully deserve their place in the history books. However, none has been more dominant and respected as King Addies. They were the sound that made upcoming selectors believe that you didn’t have to be a Jamaican based sound system to make it to the top of the industry. Of all the artists represented in their devastating dubplate collection, one loomed larger than all the others: The Warlord, a.k.a. Bounty Killer. Audio After The Jump… (more…)