Tag: Equal Rights

  • IShawna Still Fighting For “Equal Rights”

    IShawna Still Fighting For “Equal Rights”

    The Battle of the Bow Cats Rages On

    Dancehall has long had  love/hate relationship with oral sex, but ever since Ishawna dropped her Ed Sheeran remix “Equal Rights and Justice,” a topic that’s been kept under cover for many years is not front and center. In an in-depth piece for Pigeons & Planes, the Reggae Girl About Town explores changes in social attitudes by-way-of song lyrics and insightful anaylsis.  “Most people think of dancehall as a very free and sexually charged genre, but Jamaica’s strong conservative Christian tradition extends to the music, particularly in “Bowcat” lyrics,” Reshma B writes. The story traces the origins of the Bowcat concept back to Shabba Ranks and traces it forward to Vybz Kartel and Wayne Marshall who sang: “Why you chewin’ it when you should be screwin’ it? I know you never see a curry or a stew in it!” With such a long-standing tradition Ishawna’s song was nothing less than a lyrical revolution with bars like ”Boy, me nah go compromise / Me wan’ feel how your head feels between mi thighs.” Coming 21 years after Lil’ Kim’s “Not Tonight” —the song where Queen B declared “You ain’t lickin’ this, you ain’t stickin’ this!”— “Equal Rights” has stirred up more backlash than Kim did in the ’90s.  Audio After The Jump… (more…)

  • HEAR THIS: Freddie McGregor “Equal Rights”

    A Fresh Take On A Studio Classic Off The New Album, Di Captain—In Stores Today
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    “These songs were very specially chosen,” says reggae stalwart Freddie McGregor of the selections on his latest album, Di Captain. The album’s title refers to Freddie’s signature hit “Big Ship,” also the name of his renowned Kingston recording studio, whose name has been kept hot by his music-making sons Stephen “Di Genius” and Chino. “We took the greatest pains in making sure these would be classic songs that will last for a long time. I chose songs like ‘Equal Rights’ because I love the message and because the youth need to hear it. Featuring live bass and harmonies by former Heptones frontman Leroy Sibbles himself, this remake of a song that was first released in the midst of the Civil Rights struggle is more than a cover version; it’s a celebration. Audio After The Jump… (more…)