Boomshots

Tag: Sizzla

  • Sizzla “Praise Ye Jah” 25th Anniversary Mixtape

    Sizzla “Praise Ye Jah” 25th Anniversary Mixtape

    Celebrating a Classic Album, Live From Judgment Yard

    “I did behold!” It’s been a quarter of a century since Sizzla Kalonji’s anthem “Praise Ye Jah” first rang out of sound systems all across Jamaica and electrified the worldwide dancehall reggae massive with his revolutionary sound and energy. When the teen prodigy born Miguel Collins linked up with legendary producer Philip “Fatis” Burrell and his Xterminator crew—including saxophonist and musical director Dean Fraser, Sly & Robbie, and a veteran session band known as the Firehouse Crew—musical history was made. Fast forward to 2023 and Fatis’ son Kareem “Remus” Burrell is carrying on the family legacy with XTM Nation. Today XMT is celebrating the 25th anniversary of Sizzla’s landmark album ‘Praise Ye Jah’ by bringing the vibes to a new generation with XTM’s “Praise Ye Jah” mixtape featuring exclusive dubplates by the likes of Tarrus Riley, Spragga Benz, Kabaka Pyramid, Pressure Buss Pipe, Protoje, Lila Ike, and more. The Boomshots crew linked up with XTM and rolled to August Town for an exclusive reasoning with the man they call Dada. He spoke about his memories of working with Fatis, his respect for Remus, and his unique vision for his purpose in life. Sizzla has invested the proceeds of a successful music career, building up his Judgment Yard community, providing a working studio, library, and other economic opportunities, and supporting the Sizzla Youth Foundation. This man’s motivation goes way beyond industry accolades. Time to put some respect on Sizzla’s name. Mixtape & Mini-Doc After The Jump…  (more…)

  • WTJRC 2022 Heavy Rotation Playlist

    WTJRC 2022 Heavy Rotation Playlist

    All in the Same Boat, Rockin’ on the Same Rock

    Once again it’s on. The last time we were on board the Jamrock Cruise was December 2019, before most people had ever heard the words “Covid-19.” Three years later the big ship is ready to rock with artists like Burning Spear, Shabba Ranks, Damian Marley, Bounty Killer, Sizzla, and more. Check out this Boomshots playlist featuring the latest sounds from all the artists performing on this year’s Jamrock Cruise.
    Heavy Rotation Playlist After The Jump…  (more…)

  • WATCH THIS: Sizzla “Without You” Official Music Video PREMIERE

    WATCH THIS: Sizzla “Without You” Official Music Video PREMIERE

    Some Sweet Love Songs From Kalonji

    “Righteousness will always get a fight,” Sizzla Kalonji once told me, “and that is only to make you stronger.” That conversation took place in 1997, he year Sizzla electrified lovers of reggae and dancehall music with two landmark albums, Praise Ye Jah and Black Woman & Child. Sizzla has gone on to become one of the most prolific artists of his generation, releasing his most recent album, Million Times in September—a collection of 12 sweet love songs, touching on the sounds that made songs like “Just One of Those Days” and “Give Me A Try” so legendary. “Beautiful people want to listen to the beautiful reggae music,” Sizzla told me. “And you know reggae bashes against corruption. It’s not just a music to sing spirituality only and to make you feel good and sing love songs, conscious songs. And it’s good for social commentary, a very good music to be used for social commentary. And any little thing happen to the poor people, we’re quick to express ourselves on dancehall riddims and on the one-drop roots rock reggae riddim. And what we’re explaining and expressing is the total truth. It’s a music that can be used for expressing our innermost feelings and thoughts.” Today VIBE and Boomshots proudly premiere the new music video from the album “Without You.” Big Up Kalonji every time.  Video After The Jump…
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  • DJ Khaled Drops New Video With Sizzla “I’m So Grateful”

    DJ Khaled Drops New Video With Sizzla “I’m So Grateful”

    Kalonji and Khaled and Asahd Giving Thanks and Praises

    If you’ve been following DJ Khaled since before his Snapchat days, you know that he’s been deeply immersed in reggae and dancehall culture for years. If you’ve been paying attention since the days when he used to compete in sound clashes like Fully Loaded, you know Sizzla is one of his favorite artists. When Boomshots paid a visit to his studio not long ago, he proudly played his collection of Sizzla dub plates. If you’ve been following his Snapchat lately, you know he’s been in the studio with Sizzla working on a song called “I’m So Grateful,” which apparently moved him to tears while he was working on it, and which happens to be the opening track of his highly anticipated album Grateful, which drops tomorrow. Earlier this evening Khaled posted five consecutive Instagram video clips, revealing the music video for that song. Big up Khaled for representing a true hardcore dancehall artist like Sizzla.  Video After The Jump…
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  • HEAR THIS: Sizzla “I’m Yours” PREMIERE

    HEAR THIS: Sizzla “I’m Yours” PREMIERE

    JonFX Takes Kalonji To The World

    New York dancehall producer Jon FX established his name with hard-hitting remixes like the classic “Gun Session / Survivor” mashup featuring Kartel, Akon, Sizzla and Shabba Ranks. His latest release—Sizzla’s “I’m Yours,” which Boomshots proudly premieres today—proves that he’s also a first-rate producer capable of presenting hardcore Jamaican talents like Kalonji with an international-radio-ready sound. Wouldn’t mind seeing this squeeze into “Tropical House” radio rotation. Audio After The Jump…
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  • Sizzla Scorches New York City

    Sizzla Scorches New York City

    The King of Kings Mashes Down B.B. Kings

    Outside the weather was watery, but pure fire blazed inside B.B. King Blues Club & Grill as Sizzla Kalonji took the stage of the storied Times Square centralized venue for the very first time early morning on October 22. In contrast to his previous New York City performance at Irie Jam’s 23rd Anniversary, his first in the area after an eight-year absence, Sizzla was without a live band and relied upon a selector to run the riddims. Unlike the open air of Irie Jam’s Roy Wilkins Park where the vibrations carried into the universe beyond, the confined vibes of the closer, more intimate space of B.B. King allowed the mystic to reverberate and pulsate to and fro, rebound off the walls and permeate the souls of the assembled. With Sizzla’s energy capable of reaching every individual in an unchained environment such as Roy Wilkin’s Park, to be exposed to his intensity amidst such intimacy was a powerful and sometimes overwhelming experience. Continues After The Jump… (more…)

  • Irie Jam Sizzles with Sizzla, Anthony B & Friends

    Irie Jam Sizzles with Sizzla, Anthony B & Friends

    Tropical Storm Stays Far, Roots Vibrations Catch A Fire At Queens Stage Show

    On Sunday, September 4, boom chunes reverberated from early afternoon across the pristine greens of Queens’ Roy Wilkins Park. It was Irie Jam Radio’s 23rd Anniversary and heavyweights were out in full force to celebrate. Though fallout from a tropical storm was supposed to drown out the festivities, Bobby Clarke and the Irie Jam family kept on “Holding Firm” and in the end the only thunder and lightning came from the line-up of roots rock reggae entertainers. The jewel in the crown of these royal revelries was the return of Sizzla Kalonji to the New York City stage. After enduring over eight years of the artist’s absence, being reunited never felt so good. Photos After The Jump…
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  • WATCH THIS: Jahmiel “Years To Come” Official Music Video

    WATCH THIS: Jahmiel “Years To Come” Official Music Video

    Another Conscious Head Banger from Jahmiel

    Performing since the age of seven, Jahmiel catapulted his career to stardom with hard work and perseverance. Now he expresses the challenges along the way in his new song, entitled “Years To Come.” In this song, the artist born Jamiel Foster discusses the unwarranted truth of people who didn’t want to see him overcome the hurdles in his path. Relying on his spiritual faith and talent in order to prosper, the crafty lyricist cites Psalm 118 in the Bible.   More After The Jump…

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  • Reasoning with Sizzla: “I’m a Different Sort; I Man a Rasta”

    Reasoning with Sizzla: “I’m a Different Sort;
    I Man a Rasta”

    Kalonji Speaks on U.S. Tour and Black Lives Matter

    It’s been 8 years since Sizzla Kalonji has touched down in NYC, so history was made yesterday he officially announced his big return to New York for Irie Jamboree this Labor Day weekend Sept 4, 2016. Passing through town on the way home from what he calls an “awesome” performance at Reggae on the River, Sizzla Kalonji stopped by Irie Jam Media HQ to connect with his Tristate fans and let them know that he really is back in U.S. once again after years of visa issues. Before going on the air with Jabba and Dubbmaster Chris, Sizzla sat down with Robert Cooper, doing his first interview for Boomshots TV. They spoke about Sizzla’s plans for touring and recording while in the U.S., and took time out to discuss Kalonji’s thoughts on the Black Lives Matter movement. Video After The Jump… (more…)

  • HEAR THIS: Meleku “What to Make”

    HEAR THIS: Meleku “What to Make”

    Sizzla Kalonji’s Son Links With XTM Nation & Keeps The Fire Blazing

    Asking the musical question “What to make of this world,” Meleku, the son of Sizzla Kalonji, steps forward on his own quest for wisdom, knowledge and overstanding. Continuing a multi-generational collaboration, Meleku has linked up with Kareem “Remus” Burrell, son of legendary producer Philip “Fatis” Burrell, the man who first championed a young Sizzla (born Miguel Collins) on the mighty Xterminator label. Just as Remus keeps carrying his father’s works forward with his new XTM Nation imprint, likewise Meleku is keeping his father’s lyrical fire blazing.  Audio & Video After The Jump… (more…)

  • RIDDIM UP: The “Different Eyes” Juggling

    RIDDIM UP: The “Different Eyes” Juggling

    A Warm & Easy Reality Set Featuring Jahmiel, Vershon, Sizzla & Delly Ranx

    Over the past half century or so Jamaican music has evolved through so many different styles and sounds that it can sometimes be hard to discern the various strands of musical DNA. From mento and calypso to jazz and bluebeat on through ska, rocksteady, reggae and dancehall, the musical morphology continues to this day. Boomshots’ Riddim Up series digs deep into certain outstanding riddims, seeking to identify the unique qualities that make them certified Boomshots. We kick off today with “Different Eyes,” a new juggling from Pure Music Productions, distributed by the mighty 21st Hapilos Digital, which hit iTunes today. The understated, slow-burning instrumental is a prime example of the sonic changes within modern dancehall.  Because none of the usual hallmarks of vintage reggae or dancehall are present—from the drum pattern to the familar “skank” guitar or piano—we have to hear the Different Eyes with different ears. Even the bassline is subtle, overpowered by a mournful, hypnotic guitar figure and a few gentle rimshots. The minimalist riddim sets a mood that inspires all the vocalists to hold a similar vibe. Each tune on the riddim complements the ones that come before and after it, and the whole becomes one unified statement that’s greater than the sum of its parts.  Audio & Track-By-Track Review After The Jump… (more…)

  • Reasoning with Beenie Man: “The music is Jamaican; the problem is, America can make it too.”

    Reasoning with Beenie Man: “The music is Jamaican; the problem is, America can make it too.”

    The Doctor Talks Drake, Popcaan & Kartel

    “Drake from Canada—Beenie Man from Jamaica—dah one yah a murda! Zagga.” When Drake’s album Views dropped at the end of April, Popcaan fans were surprised to hear a new voice on “Controlla”—a vintage Beenie Man sample appeared where Popcaan’s lyrics used to be. With Drake’s album topping the charts and breaking sales records this was obviously a big deal, and it set off all sorts of debates about why the 6 God made that move—and whether he truly respected reggae and dancehall or was just tapping into the flavor of the moment. But Beenie Man is not bothered. Having collabed with the likes of Wyclef and Janet Jackson the Grammy-winning DJ who dropped the single “King of the Dancehall” back in 2004 is taking the whole situation in stride and focusing on his new album Unstoppable, which features collabs with Sean Paul and Busta Rhymes among others. We caught up with Beenie near the end of his European tour to talk about Drake, Popcaan and his thoughts about Vybz Kartel’s new album title. (In case you missed the memo, Kartel’s dropping an album tomorrow provocatively titled King of the Dancehall.) “The name of an album and the name of a person different,” said Bounty Killer during a recent appearance On Stage. “But me know say it provoking still. Him provoke Beenie fe true, just like when Beenie Man say him ah de king, him did provoke Yellow Man. And tell you what: is not one king. You have the king of all kings, but there are several kings. Kings come down different generations. So I guess Kartel is trying to say that him ah the king of this generation.” Pressed on the point Killer admitted that his former protege Kartel (who he’s definitely had some issues with over the years) is now ruling the dancehal. “He is the king of this generation, you can’t deny that. Weh you ah go do, fight it? For the last ten years, ah him. Me can’t say nuttin’—him ah de young king deh. If him wan’ piece of the king ting—him can hold on pon the young king. He’s not no prince anymore, after a decade. I’m not being biased. Him a young king, mon.” Let’s see what Beenie has to say about that. Interview After The Jump… (more…)