Nice Up Di Dance
When I asked Clement S. Dodd, the founding father of the Jamaican music industry, which of his many recordings he was proudest of, the producer known as Sir Coxsone paused and stroked his white-whiskered chin. ”There is so much, getting back to ‘One Love’ and ‘Simmer Down,’ ” he said, mentioning two of The Wailers’ first big hits, recorded when a short-haired teenager named Bob Marley was living in a room behind Dodd’s studio. From legendary reggae bands like the Wailers and Burning Spear to the Skatalites, Studio One became Jamaica’s answer to Motown. Of all the great tracks he produced, Mr. Dodd finally selected his favorite. ”Real Rock,” he said, then began laughing. ”Oh God. ‘Real Rock’ really strong. It’s on top.”
Originally recorded by the ace Studio One reggae band known as Sound Dimension, the “Real Rock” rhythm track that has been used for countless classic tunes, from Willi Williams’ “Armagideon Time” (1977) to Dennis Brown’s “Stop The Fussing and Fighting” (1977). None was more entertaining than Michigan & Smiley’s “Nice Up The Dance.” Papa Michigan & General Smiley’s rollicking combination brings the joys of a live dancehall session to life. It takes a certain caliber of artist to handle a rhythm like the “Real Rock.” So when producer Jeremy Harding was challenged to remake the Michigan & Smiley 1979 classic for the forthcoming VP Records project Dancehall Anthems, there was really only one logical choice—Kabaka Pyramid. An ace lyricist equally adept at classic roots reggae, hip-hop, and dancehall, Kabaka does full justice to Michigan & Smiley’s original while infusing its classic verses with his own unique energy and verbal wizardry. Video After The Jump…
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